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Go Deep and Take Plenty of Root: A Prairie-Norwegian Memoir - Fatherhood, Minneapolis Rebellion, Basement Zen & Coming-of-Age Story | Perfect for Readers of Family Sagas, Midwest History & Spiritual Growth
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Go Deep and Take Plenty of Root: A Prairie-Norwegian Memoir - Fatherhood, Minneapolis Rebellion, Basement Zen & Coming-of-Age Story | Perfect for Readers of Family Sagas, Midwest History & Spiritual Growth
Go Deep and Take Plenty of Root: A Prairie-Norwegian Memoir - Fatherhood, Minneapolis Rebellion, Basement Zen & Coming-of-Age Story | Perfect for Readers of Family Sagas, Midwest History & Spiritual Growth
Go Deep and Take Plenty of Root: A Prairie-Norwegian Memoir - Fatherhood, Minneapolis Rebellion, Basement Zen & Coming-of-Age Story | Perfect for Readers of Family Sagas, Midwest History & Spiritual Growth
$9.74
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Go Deep and Take Plenty of Root, Erik Storlie’s latest memoir, explores his conflicted prairie-Norwegian roots, a sixties Beat scene in Minneapolis that inspired the early Bob Dylan, friendship with the poets James Wright and Robert Bly, and his almost fifty years of Zen meditation. This book illuminates a tectonic shift in American life, Storlie’s embrace of the contemplative arts, and the real-world challenge of bringing an idealistic meditative practice into marriage, divorce, raising children, and the deaths of parents.Advance Praise for Go Deep and Take Plenty of RootIn Erik Storlie's remarkable memoir, he takes us on a mad tour of Secret Minnesota—and this is not Garrison Keillor’s Lake Wobegon. I loved discovering Storlie's Midwestern beatnik paradise, a place where Bob Dylan and the poet James Wright might show up at the next party. Storlie was one of the original Minneapolis mystics; he searched for the ecstatic, the illegal, and the unspeakable in the bars of Dinkytown. What he found will delight the reader.--Pagan Kennedy, author of The Dangerous Joy of Dr. Sex and Other True StoriesIn Erik Storlie’s superbly detailed and touching memoir, we see how, by way of many tensions with both parents, and by an evolving liberating attention to their veiled individuality (“I knew it was hurt that tensed and wrinkled the skin around his eyes”), he gains insights into their hidden natures and comes to an awareness of what he calls at one point “sorrow beyond my fathoming”….This is wonderfully tender, accurate writing, and brings us into the presences, events and relationships of one writer’s past that can enhance the present for all of us.--Michael Dennis Browne, author of Things I Can’t Tell YouErik Storlie’s previous memoir, Nothing on My Mind, recounts the arrival of psychedelics in Berkeley in the mid-1960s and his experiences with Zen teachers Shunryu Suzuki and Dainin Katagiri. He refuses formal Buddhism, convinced that America and Americans need meditation practice, but not the ceremonial and cult-like elements of Japanese Zen. Go Deep and Take Plenty of Root takes us a step further, demonstrating that Asian meditative practice can be reconciled with and can deeply infuse an American life. Here also we meet close up the poets James Wright and Robert Bly.--Scott Edelstein, author of Sex and the Spiritual Teacher
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Reviews
*****
Verified Buyer
5
This book struck home on two fronts. How many of us have had reserved, distant fathers, wary of emotion? And, for those of us who recall the 60's (though I remember little from the 50's), this fills in a lot of gaps--especially as to Minneapolis in the (very) early Dylan era.Storlie brings to vivid life the family and friends of his early years, growing up in a rapidly urbanizing Minneapolis, whose last wild places were being bulldozed and developed. Storlie recalls putting sand into the gas tanks of the heavy machinery, trying to save his beloved bluffs above Cedar Lake, where he played as a child. He recounts his adolescent years, falling in with tough kids from bad neighborhoods with alcoholic fathers, as well as his first love (an account both steamy and emotionally moving). As he moves on to his undergraduate years at the U of M, some famous figures, such as the poet James Wright, become close friends. (Wright seems to also be sort of second father--the one Storlie wished he could have had . . . or at least so he thinks.) Storlie lets alcohol take over his life and--faced with choosing between going to endless parties where he can meet and impress the bohemian/hipster crowd or spend more time with his girlfriend (since high school)--he chooses the former. Then he is destroyed when his girlfriend drifts away.Storlie doesn't shy away from examining his self-centeredness and self-destructiveness. Through all of this the figure of his father (and their dysfunctional relationship) looms in the background. Yet it is his father (I don't want to give too much away) who proves pivotal in helping him face his own demons. Gradually he comes to know--and love--his father, to see beyond his flaws and woundedness into the nobility and pathos of his soul . . . but also to recognize his father's flaws within himself.Storlie covers lots of ground, from hopping boxcars to booze and acid and beatnik poets--and later to Zen and marriage (two of them) and caring for his elderly parents--all very poignantly and evocatively. Storlie has taught literature for decades; the man can write! An excellent book for anyone, this is a must-read for Minnesotans :)

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